3D films back in cinema, but porn will lead

Watch TV on PC - 12,000 TV Channels and Movies

Horror, animation and concert movies are out or on the way, but adult entertainment will push boundaries with the new technology

This is the year Hollywood’s billion-dollar 3D movie gamble will be played out on the big screen, with dozens of 3D films, across all genres, set for release in the coming months. You can already watch the horror movie My Bloody Valentine in 3D; and Coraline, a stop-action 3D animated feature based on a story by Neil Gaiman, opens in May. Even the Jonas Brothers, a boyband, are jumping on the bandwagon with a 3D concert movie. More than 30 3D films are in production, including Avatar, the first feature directed by James Cameron since Titanic, due at the end of the year.

Betting that the format will offer something consumers can’t get on their new HDTV screens at home, Hollywood is quickly converting cinemas and heavily promoting forthcoming 3D films such as the blockbuster Monsters vs Aliens. Its producer, DreamWorks, handed out 150m sets of special glasses so American viewers could get a taste of the experience by watching a 3D trailer at half-time during the recent Super Bowl.

As heavily as Hollywood is boosting the theatrical experience, however, it is at home that most people will experience the coming revolution. Companies such as Mitsubishi, Panasonic and Samsung are busily developing 3D TV systems. The market is expected to be worth $16 billion in the next decade. Most of the new Hollywood 3D films, though, won’t be available for home viewing until next year at the earliest. And there aren’t enough of them to fill more than a couple of days’ viewing. So where will the product come from for this new kind of television-watching?

Within the industry, the dirty secret is that 3D will be carried into the homes of consumers not by mainstream Hollywood, nor even by satellite providers such as Sky, but on the back of the apparently insatiable desire for new ways of watching pornography.

“3D TV will be taken to the next level as the adult entertainment industry once again pushes the boundaries with new tech,” says the online technology site T3.com. “The porn industry is going nuts for it now, and that’s traditionally where all the innovation is — multiangle DVDs came about thanks to porn, after all.”

That should not be a surprise. Pornography has been the driving force behind every significant new entertainment delivery system in the past few decades — the VHS home-video revolution of the 1980s, the satellite TV boom of the 1990s, the internet today. Right now, porn distributors are at the forefront of developing the technology to stream and download video on the internet, and to find ways to make people pay for it.

The porn industry is actually banking on the revolution even more than mainstream Hollywood, because it’s flagging. Thanks to the ease with which porn can be accessed for free on the internet, legally and illegally, the industry’s DVD sales have gone decidedly limp, dropping by as much as 50%, according to some estimates. So, at the recent Adult Entertainment Expo, producers were almost ecstatic at the opportunities offered by 3D systems, whose booths attracted bigger crowds than the nude porn stars nearby.

“Once film-makers get the hang of it, feet will be hanging out of the screen and you’ll be dodging the money shot,” said Tony Ross, president of Glacier Media Systems, which makes the new IceBerg entertainment system and is happy to promote the porno possibilities of its technology. The Iceberg can convert standard DVDs to 3D, which can then be watched with special glasses, made by Nvidia.

Although the Iceberg currently costs just under $2,000, the price is expected to drop fast, and less sophisticated 3D TV systems are already available, costing just a few hundred dollars. “With the glasses on, things just pop out at you... sometimes in pairs,” said Charlie Demerjian, writing about the porn experience for a technology magazine. “You almost have to duck to avoid getting hit with large silicone objects.”

What’s funny is that 3D porn is nothing new, for all the media brouhaha recently when a Hong Kong producer announced that he was going to be making the “first” 3D porn film, 3D Sex and Zen, a $4m remake of an erotic classic, Sex and Zen. “Just imagine you’ll be watching it as if you were sitting beside the bed,” said Stephen Shiu Jr. “There will be many close-ups. It will look as if the actresses are only a few centimetres from the audience.”

That was all marketing hype. A number of striptease shorts were made in 3D in the early 1950s and shown in cinemas. In 1954, the movie French Line was released, starring the Hollywood siren Jane Russell. It wasn’t porn, but the ad copy hyped up the sexual excitement of seeing the busty Ms Russell in the new format: “JR in 3D! It’ll knock both your eyes out!”

The first known hardcore 3D porn film was The Starlets, made in 1976. In fact, the film was marketed as a “4D” film, the fourth dimension being the ability to arouse the viewer. The Stewardesses, made in 1971, showed the potential of 3D pornography by taking an astonishing $27m, making it the most successful 3D film of all time. The distributor had 10 technicians flying to cities all over America to set up the projection systems and screens needed to show the film. To modern eyes, The Stewardesses is unbelievably cheesy and inadvertently hilarious, but in the era before hardcore porn became widely available, it delivered a real thrill.

“Think of it as the Titanic of 3D boobie movies,” said the 3D movie buff Dion Conflict in an essay titled Why They Call It the Cockpit. The Stewardesses is being remade and should be released next year, just in time for your new 3D TV.

If the past is anything to go by, as well as mainstream Hollywood movies and cheesy porn in three dimensions, we can, thankfully, expect the new technology to attract a highly esoteric range of film-makers and artists keen to experiment with its possibilities. Andy Warhol’s Frankenstein (also known as Flesh for Frankenstein) — actually directed by Paul Morrissey and filmed at the Cinecitta studios, in Rome — was originally released in what was known as Space-Vision 3D. Frankenstein remains an innovative and unique 3D pleasure, if perhaps overindulging in gore, as disembowelled viscera fly towards the viewer. Then again, sex and violence have always been big sellers, in 2D, 3D or 4D.

source

Watch TV on PC - 12,000 TV Channels and Movies

3-D films growing in popularity on area IMAX, cineplex screens

Watch TV on PC - 12,000 TV Channels and Movies Like many in a preview audience for the movie “Under the Sea 3D” at the Putnam Museum’s IMAX Theatre last week, Caelei Kurylo dodged sharks, sidestepped water snakes and was showered by a sea full of shrimp.

The 8-year-old Davenport girl was among the first audience members for the three-dimensional movie, which opened nationally on Friday.

Caelei is already a fan of 3-D movies, having seen “Hannah Montana in Concert: Best of Both Worlds Tour” last year in theaters.

“It’s kind of cool that it pops out,” she said of the three-dimensional effects.

Movies in 3-D have been a staple at the Putnam since the Davenport museum’s IMAX theater opened almost seven years ago. Putnam President and CEO Kim Findlay said the theater is the only 3-D facility from St. Paul, Minn., to St. Louis and Chicago to Council Bluffs, Iowa.

Dean Fick, the Putnam’s director of theater operations, said 3-D movies consistently outsell their two-dimensional counterparts, most of which are documentaries at the museum.

Several years ago, though, mainstream theaters began getting in on the 3-D bandwagon. The animated children’s tale “Coraline” and the horror movie “My Bloody Valentine” are current 3-D offerings, with at least a dozen more scheduled before the end of the year, including a 3-D concert by pop stars The Jonas Brothers that opens later this month.

Fick said the rush to three dimensions mirrors the first 3-D boom in the 1950s, when the advent of television was seen as a threat to the movies.

Now, the competition comes from computers and state-of-the-art home entertainment systems.

“It’s a threat from people staying home and not coming out anymore that’s leading the charge in the industry at this time,” Fick said.

Both Showcase Cinemas 53 in Davenport and Great Escape Theatres in Moline have 3-D capability, including the digital projection equipment needed for the effect.

Patrick Corcoran, the director of media and research for the National Association of Theatre Owners, said about 1,700 of 38,000 movie screens nationwide have 3D capability.

That number is expected to reach 2,000 by the time “Monsters vs. Aliens,” a 3-D animated movie that was previewed during the Super Bowl, opens late next month. More screens — almost 3,000 — originally were planned for that opening, he said, but the economy is forcing some theaters nationwide to cut back.

Showcase, which showed its first 3-D movie, Disney’s “Chicken Little,” in 2005, now has 3-D capability on three of its 18 screens. Great Escape has 3-D for one of its 14 screens.

Wanda Whitson, the director of corporate communications for National Amusements, which operates Showcase, reports that box office receipts for the 3-D “Coraline” and “My Bloody Valentine” are about six times more than the same titles in 2-D.

Those who recall the original incarnation of 3-D movies, in which audience members viewed the screen through oversized cardboard glasses with one red lens and one blue one, are finding major changes as well.

“This is not your mother’s 3-D,” Whitson said. “It has changed drastically and is a completely new technology from that of the early films of the ’50s like ‘House of Wax’ with Vincent Price. The technology was more complicated, and the glasses and film image on the screen often caused headaches. Today’s technology simplifies the process — and no more headaches.”

The appearance is different as well.

“They kind of look like Ray-Bans,” Corcoran said of the glasses.

Some theaters have a surcharge for 3-D movies and let their patrons keep the glasses. The Putnam, Fick said, has sturdier, reusable glasses that are cleaned between performances. The IMAX glasses have a vertical and horizontal polarization, he said, while some other theaters have a circular polarization in their lenses.

The movie industry is embracing 3-D as well, everyone interviewed for this article said. The Walt Disney Co. has said all of its future animated releases will be in 3-D — including re-releasing “Toy Story” in that format during October. Oscar-winning filmmaker James Cameron (“Titanic”), who has created two 3-D IMAX documentaries, is preparing a 3-D feature film, “Avatar,” to be released in December.

“He didn’t want to put it in theaters until he felt he could do it right,” Corcoran said.

Jessie Jimenez of Davenport, who brought 8-year-old niece Caelei to see the “Under the Sea 3D” preview at the Putnam, said she was impressed upon seeing her first 3-D movie — and also was impressed by the depth shown on the 3-D screen.

“We wish we had a lot more,” she said. “It’s like you’re living it, like it’s real.”

COMING SOON

There are plenty more 3-D movies coming before the end of the year, according to 3DMovieList.com, a Web site that also provides tentative release dates:

“Jonas Brothers: The 3D Concert Experience,” Feb. 27

“Monsters vs. Aliens,” March 27

“Battle For Terra,” May 1

“Up,” May 29

“Ice Age 3: Dawn of the Dinosaurs,” July 4

“Harry Potter and the Half-Blood Prince,” July 17

“G-Force,” July 24

“Final Destination: Death Trip 3D,” Aug. 21

“Cloudy With a Chance of Meatballs,” Sept. 18

“Toy Story in 3D,” Oct. 2

“Disney’s A Christmas Carol,” Nov. 6

“Avatar,” Dec. 18.

source Watch TV on PC - 12,000 TV Channels and Movies

3D movie screens coming online slower than the movie industry projected

Watch TV on PC - 12,000 TV Channels and Movies

While there have been a few prominent examples of blockbuster movies being shown in 3D movie theaters, the trickle is about to become a flood, the New York Times reports.

But even if the 3D movies are on the way, the number of theaters capable of displaying 3D films is lagging:

"It's starting to look like there will be a lot of disappointed producers unable to realize the upside of these 3-D investments," said Harold L. Vogel, a media analyst and the author of "Entertainment Industry Economics." Filming in 3-D adds about $15 million to production costs, he said, but can send profit soaring because of premium ticket pricing.

Only about 1,300 of North America's 40,000 or so movie screens support digital 3-D. (Imax adds 250.) Overseas, where films now generate up to 70 percent of their theatrical revenue, only a few hundred theaters can support the technology. It costs about $100,000 for each full upgrade.

Studios require about 3,000 screens in North America for most new releases. Popcorn movies like "Avatar" or "Monsters vs. Aliens," a 3-D entry from DreamWorks Animation, typically open on more than 4,000 screens.

"The crunch has everybody scrambling," said Chuck Viane, president for domestic distribution for Walt Disney Studios. "We had expected many more screens to be available by now, no doubt about it."

One barrier in the near term for 3D theaters is the cost, both to upgrade the screens and to buy a ticket to go see the films (the NYT story says tickets to 3D movies will go for as much as $25 each).

While the studios and theater chains are apparently hashing out agreements to split the upgrade costs, I think $25 movie tickets are going to be about as popular as bird flu.

Even in the best of economic times, $25 for a movie ticket borders on the larcenous unless the purchase includes free hot dog, popcorn and beverage, and all teenagers are automatically immobilized via tazer if they so much as whisper during the movie.

But cost aside, the 3D movie theater trend might be derailed before it even gets rolling, thanks to 3D television.

And, unlike 3D theaters, some of these 3D TVs won't require bulky glasses.

source

Watch TV on PC - 12,000 TV Channels and Movies

New Photo: On The Set of James Cameron’s Avatar

Watch TV on PC - 12,000 TV Channels and Movies

We’ve seen a few production photos from James Cameron’s Avatar thus far, but most of them consisted of Cameron and crew huddled behind monitors looking off into the distance at something we can only assume is cool. We can only assume, because we never see what exactly they’re looking at.

Well the New York Times has an interesting set photo which actually shows a bit more than the usual. Cameron is standing in a set which appears to be some kind of alien space craft (I could be totally wrong, and I’m sure someone who has actually read Cameron’s scriptment will correct me in the comments). Full photo after the jump.

source

Watch TV on PC - 12,000 TV Channels and Movies

Shyamalan assembles 'Airbender' cast

Watch TV on PC - 12,000 TV Channels and Movies

Rex Features

M. Night Shyamalan has assembled a cast of unknown actors for his next movie The Last Airbender.

Texan Noah Ringer has secured the role of the film's hero Aang, a 12-year-old boy with superpowers who is pitted against the Fire Nation. Ringer, a karate champion, answered an open casting call for the movie.

Joining him are Twilight actor Jackson Rathbone as Aang's friend Sokka and Nicola Peltz as his sister Katara.

Singer Jesse McCartney is in talks for the role of the Fire Nation's evil prince Zuko, according to Entertainment Weekly.

The Last Airbender is based on the anime-style Nickelodeon series Avatar. It will open in cinemas in July 2010.

source Watch TV on PC - 12,000 TV Channels and Movies

Watch TV on PC - 12,000 TV Channels and Movies

Cast Selected For Shyamalan’s ‘Avatar: The Last Airbender’

Entertainment Weekly is reporting that M. Night Shyamalan has picked some of the cast for his upcoming film, The Last Airbender.

The movie is based on Avatar: The Last Airbender, the popular animated series that ran from early 2005 up until this summer. The story was organized into 3 books (seasons) with each episode called a chapter. There are 20 chapters in each book with one extra in the final book making for a 61-episode run to tell the story and end it properly.

And that they did.

On top of winning an Emmy award and being one of Nickelodeon’s highest rated shows ever; the series spawned all sorts of merchandise including several video games – and now a potential feature film franchise.

Here is the cast thus far:

• Noah Ringer, a karate star chosen from an open casting call in Texas will play Aang, the central character (the Avatar) of the story. Aang is the last of his tribe and the story follows him as he and his companions travel the world in search of trainers to teach him to master the four elements.
• Nicola Peltz will play Katara of the Southern water tribe.
• Jackson Rathbone of recent Twilight fame will play Katara’s brother, Sokka.
• Jesse McCartney, the young singer, is currently in negotiations to play Zuko, the exiled prince of the Fire Nation.

I watched the entire series earlier this year and really loved it. It took a bit to get used to and there was a lot of corny stuff in the earlier episodes, but overall it was pretty incredible and it is on my list of greatest cartoons ever.

That being said, similar to my thoughts on the new Dragonball Evolution trailer, this will be very difficult to translate into live-action. Shyamalan’s recent track record hasn’t exactly been stellar, so I am eager to see if he can pull this off.

The first installment of The Last Airbender is due out on the big screen July 2, 2010.

Source: Entertainment Weekly

source

Watch TV on PC - 12,000 TV Channels and Movies

Racism Hits Hollywood Kid's Movie

Watch TV on PC - 12,000 TV Channels and Movies

I thought we had just arrived at a milestone by electing the first black/Muslim President of the United States. However, Hollywood director, M. Night Shyamalan thinks otherwise.
Popular children's show, Avatar the Last Airbender has been signed to air as a live action film in late 2010. Like a normal fan, I scrambled to the internet to find out who was cast to play my favorite characters. To my profound horror, I found this http://www.comingsoon.net/news/movienews.php?id=51217
I couldn't fathom what Shyamalan was thinking...Casting white people to play Inuit, Asian, and, dare I say it... clearly not-white characters...? I confirmed the blog post as the truth after checking IMDB and I was completely and utterly enraged.
Isn't this considered Racism? Look, I may be jumping the gun but isn't it strange that, despite the actors' cartoon counterparts being of various Asian decent... not a single Asian, black, or Inuit actor/actress has been chosen to fill the roles? A friend of mine commented after hearing the news, "I think what's going to be hilarious is that they are going to need to tan or spray paint their skin to match the look. And you know, THAT'S not insulting at all." Furthermore, I wonder how blond teen pop-sensation idol, Jesse McCartney is going to pull off the role of Prince Zuko (not pictured)
Have we regressed back to the days where white actors painted their faces to play a character of a different race, such as Othello? And this is a kid's film, what is the underlying moral here?

source Watch TV on PC - 12,000 TV Channels and Movies

Avatar Last Airbender Casting News

Watch TV on PC - 12,000 TV Channels and Movies I already knew about the Avatar movie, knew that it was going to be directed by M.Night Shyamalan, had my reservations about it (the anime was great, why need a movie? especially so soon after the series ended, and directed by the same person who did "the Happening"?)

Looking around my favorite sites, found the reported casting. Aang will be played by an unseen karate star, Noah Ringer apparently from the Texas casting call.

Sokka may be played by Twilight's Jackson Rathborne.

Katara will be played by Deck the Halls' Nicola Peltz.


And the punchline? Jesse McCartney may be playing Zuko.

The movie is slated to be released in July 2010. Somehow I see Dragonball Evolution happening all over again.

source
Watch TV on PC - 12,000 TV Channels and Movies

3D films: the next film revolution?

Watch TV on PC - 12,000 TV Channels and Movies

They've been the next big thing for the past 50 years, but 3D films have finally come of age. Just the thing to get bums on seats, says Chris Evans

Cinema has already been through two major revolutions in its relatively short life. First there was the transition from silent to talkie, then from black and white to colour. Now Jeffrey Katzenberg, CEO of DreamWorks Animation, believes "3D is the next revolution in the cinema-going experience".

A bold statement, and one tinged with a distinct bias as DreamWorks is one of several Hollywood studios set to release their forthcoming animation projects in the new, digitised 3D format. Titles set to hit our screens include Monsters vs Aliens (2009), A Christmas Carol (2009), Toy Story 3 (2010), Shrek Goes Fourth (2010), and Avatar, due for release in December next year, which is hotly tipped to be the turning point in the 3D revolution.

It is important to point out that 3D is, of course, nothing new. It was first experimented with back in the 1950s and Imax cinemas have been showing films in 3D for the past 30 years. But now, with the advent of digital 3D technology being installed in cinemas worldwide, and the fact that the choice of films in 3D is not only broader but much better, audiences need only head to a multiplex and put on the glasses to immerse themselves in what is proving to be a wholly new way to enjoy the latest studio blockbuster.

"This is digital stereoscopic 3D. It is a far cry from the 3D experience of the 1950s. There is no ghosting and no headaches. It is pin-sharp, laser-sharp, crystal-clear 3D imagery," says Mark Batey, chief executive of the Film Distributors' Association. It's a view supported by Phil Clapp, chief executive of the Cinema Exhibitors' Association. "I have seen excerpts from the upcoming Monsters vs Aliens film and it is incredible. You actually feel immersed in the film, like the action is taking place around you, rather than in front of you, as it is in 2D."

There are currently 65 digital 3D screens in the UK, and more than 2,000 worldwide. Industry experts predict there will be at least 10,000 by 2012. This rapid expansion and advancement in 3D technology is seen by some as a response to the decline in cinema attendance and the rise in alternative viewing platforms such as the internet, PlayStation and cable television.

"Just as it was in the 1950s when the advent of television shook the cinema world to its bones, so in today's world of rapid digital communication, 3D is the cinemas' response to say we are bigger, brighter, bolder and better than anything you will experience at home," Batey says. Unlike the cumbersome, labour-intensive 3D systems of the 1950s, which required two cameras projecting on to the same screen, making synchronisation difficult, the new digital projectors, of which there are three different models – RealD, Dolby Digital Cinema and Imax 3D – require just the one projector run through a computer.

"The projection element is the same in terms of the lens and the lamp, but you have a server into which you plug hard drives with the film on, and that is then unscrambled and played through to the computer on the back of the projection unit," explains Clapp.

By simultaneously selecting two viewpoints, or a left eye and right eye, the technologies enable the brain to converge or fuse the images. By wearing the special glasses, the watcher prevents the image from bleeding over from the left to the right, or vice versa. "These projectors provide a much higher refresh rate between the two complementary eye images because it is stereo so the film producers are recording one version to the right eye and one to the left eye, and the projectors are then able to convert these into a high frame rate. So it is a really seamless effect," says Charlotte Jones, senior analyst of film and cinema at Screen Digest.

Also, unlike the heavy 35mm film reels, 3D digital films are stored on a hard disk, which means it is much easier to transport them from one cinema to the next. "These digital disks are essentially the right-eye and left-eye versions of the film together, and can be taken by bike or van to another site and inserted into a server and played through the digital projector, which is normally positioned alongside a 35mm projector," Batey says.

But the reason so many exhibitors are still holding back from installing the projectors is the expense. One digital projector alone for a single screen costs £40,000 to £50,000, and then to add a 3D upgrade would cost another £10,000 or even £20,000 on top of that.

"In the US, the studios are helping to finance the transition to digital and 3D by subsidising the projectors through the savings they are making as a result of using the cheaper digital prints as opposed to the expensive 35mm reels," Jones says. But outside of America, production companies working on 3D films are less inclined to contribute to the enormous costs, and take-up by the cinemas of the 3D projectors has so far been slow.

However, the potential revenue benefits of 3D are already being proven. The 3D release of films such as Journey to the Center of the Earth, Madagascar: Escape 2 Africa, Fly Me to the Moon and Chicken Little have taken at least two times, and in some cases three times, as much as their 2D releases.

This is partly due to the higher ticket costs of seeing the films in 3D. "To produce an animation film in 3D, you are probably looking at adding another 15 per cent on to the film budget, for a live action you are looking at another 30 per cent, which is why the studios are having to hike up the prices by as much as $5 in the US to recoup costs," Jones says.

Global revenue from 3D ticket sales in 2008 amounted to $240m, approximately 70 per cent of which, or $166m, came from North America. That figure of $166m accounted for roughly 1.8 per cent of total projected North American box-office takings for 2008, and Jones expects the share to climb to approximately 15% in 2009.

The realms of possibility and potential revenue with the new 3D technology are also not just limited to film. Some cinemas are experimenting with beaming live events via satellite into cinemas in 3D. Last week, RealD and 3ality Digital staged the world's first live 3D broadcast of an American football game, at the Mann Chinese 6 theatre in Hollywood.

"That could be really significant. In Europe, for example, they could show the Fifa World Cup live in 3D. That would be incredible," says Jones, adding that "in the near future it will potentially be possible to beam 3D images to mobile phones and into the home. The only problem would be wearing those 3D glasses at home, where you could be playing video games for four or five hours, or watching a few films over the course of an evening." So, in actual fact, while the cinemas are hoping the new 3D experience will draw the young crowd back to their screens, it looks like it could keep them at home even longer.

Big-screen action: The power of Imax

* 'The Dark Knight' director Christopher Nolan filmed six of the film's major action sequences using Imax cameras. As a result, Imax box offices were inundated for weeks with filmgoers intent on seeing Batman and the Joker on the even bigger screen. The film made £360,000 with a single print on a single Imax screen in Manchester – with the aid, it should be noted, of Imax's inflated ticket prices.

* The Imax system was first developed in Canada in the 1970s. Imax can screen films in a much larger format, and with much greater resolution, than a conventional cinema screen. Modern Imax theatres are also equipped with super-sophisticated sound systems.

* Until now, there have been only a handful of Imax screens in the UK, and only one in London – at the BFI in Waterloo. All that will soon change, however, with the introduction of the Imax digital projection system to Europe. Far cheaper to instal and run than its predecessor, digital will allow Imax to roll out across the continent.

As well as screening live sports events and concerts, theatres have a full slate of Imax Hollywood blockbusters lined up for 2009, including 'Watchmen', 'Transformers 2', 'Harry Potter and the Half-Blood Prince', and 'Avatar'.

source

Watch TV on PC - 12,000 TV Channels and Movies

Avatar Movie Cast And Characters

Watch TV on PC - 12,000 TV Channels and Movies

• Sam Worthington as Jake Sully, "a paralyzed former marine who undergoes an experiment to exist as an avatar, another version of himself... an alien – 10 feet (three meters) tall and blue." Sully is able to be part of the alien world in his avatar, a genetically engineered biological body that can be remotely operated by a human consciousness. Director James Cameron cast the Australian actor after searching the world for promising young actors, preferring relative unknowns to keep the budget down. Worthington auditioned twice early in development, and he has signed on for possible sequels.
• Zoë Saldaña as an alien Jake initially betrays, but they both fall in love. The character will be entirely computer generated. Saldaña has also signed on for sequels.
• Sigourney Weaver as Grace, a botanist who mentors Jake Sully. Weaver dyed her hair red for the part.^[11] Her character was named Shipley at one point. The character reminded Weaver of Cameron himself, being "very driven and very idealistic".
• Michelle Rodriguez as an ex-marine pilot. Cameron had desired to work with Rodriguez since he had seen her in Girlfight (2000).
• Giovanni Ribisi as Selfridge, a passive-aggressive character.
• Stephen Lang as a Marine Corps colonel. Lang had auditioned for a role in Cameron's Aliens (1986) that he did not get, but the director remembered Lang and cast him into Avatar.
• Joel David Moore as an anthropologist who studies plant and nature life like Weaver's character.
• Matt Gerald as the main villain.

Actors Wes Studi, C.C.H. Pounder, Laz Alonso, and Peter Mensah are also in the film. Actor Michael Biehn entered talks with Cameron in March 2007 for a possible role in the film, but his involvement is not confirmed.

source

Watch TV on PC - 12,000 TV Channels and Movies